David Parker
EXPOSITION “SIRENS” du 15 novembre au 11 janvier 2008
“Sirens”
« Alors, le vent tomba et le calme se fît sur la mer, comme une sorte de pouvoir apaisant la houle »
Homère – L’Odysée.A
la manière des photographes pictorialistes du 19 ème siècle,
le travail de David Parker est un hommage à la Nature, c’est
dans cette démarche que l’artiste explore le symbolisme de ces
roches émergeant des eaux
Utilisant un appareil photographique panoramique personnalisé, David
Parker nous livre ses portraits de Sirènes, dont le chant est un appel
à la contemplation mais également au mystère d’un
monde abstrait
Ces roches isolées enchantent le voyageur, et, tout comme les Sirènes
de la mythologie rencontrées dans l’Odysée, elles nous
projettent hors du temps et de l’espace.
Enigmatiques et évanescentes, les Sirènes de David Parker ouvrent
une fenêtre entre notre monde et celui des rêves.
"Then all at once
the wind fell, and a calm came over all of the sea, as though some power lulled
the swell".
Homer. The Odyssey, Book 12
When Odysseus instructed his crew to lash him to the mast of their ship, he
was preparing himself to hear the sirens song, 'the song of the universe'.
Their sweet singing, claims of omniscience and power to calm the waters infallibly
lured sailors off course to their destruction. Odysseus plugged his crews'
ears with beeswax, so that he alone could savour the seductive laments of
the sirens and experience a mystical encounter with the sublime.
Dreams and the sea are the closest we come to other worlds, and the solitary
sea-stacks featured in these photographs, or sirens as they appear to me,
stand as guardians on the threshold of both worlds. For me the sirens song
is a call to contemplation, not action, and these images chart my own fascinated
encounters with an enchanted world of forgotten archetypes.
My pictures are intended to siren-like, allure viewers
into a mysterious abstract world, both concrete and ineffable, attuning them
to mythological and metaphorical themes by removing all references to time
and place.
Sea-stacks are all that remain of cliffs that eroded many hundreds and thousands
of years ago. These solitary pillars would have evolved from collapsed arches
and will one day be surrendered back to the sea that carved them. I feel that
in their slowly achieved individuation these sea-stacks reflect our own existential
isolation, putting us in mind at once of our own mortality and of life's worth
and beauty, and perhaps reconciling us to the paradox.
Myths and legends have often been shaped and inspired by geologic landforms
and similarly, I use the natural world as an arena for the exploration of
symbolic and metaphoric motifs, a theme that I previously explored in 'The
Phenomenal World'. My images therefore carry no identifying names or locations
because I want their reference to be the individual spectators' psyche rather
than a set of geographical co-ordinates. Naming something is a way of knowing
and measuring it, and thereby removing from it something of its mystery. These
images with their anonymity are intended to function, not as documents, but
as triggers to memory that point past themselves to worlds within the viewers'
imagination.
The sirens’ song with its promise of ultimate knowledge also suggests
an infinite realm that opens a window onto ideas of the sublime. To my mind,
it is also the song of art, which charms and fascinates us into the ego-diminishing
state of aesthetic enchantment, the goal and consolation of all art.
David Parker was born in 1949 in Stafford, England.
He originally trained as an engineer, and then as a commercial illustrator.
An early interest in photography developed from a hobby into a fulltime occupation.
His book, "The Phenomenal World" was conceived in 1992 and continues
to explore the symbolic potential of particular geological landforms, especially
natural arches. Variously seen by different mythological and cultural traditions
as bridges between worlds, portals of discovery, thresholds and even stone
rainbows, these arches become metaphors of transition between the temporal
and eternal, the material and transcendent.The Phenomenal World was conceived
as a large-scale gallery presentation, and required an extensive period of
experimentation with two especially built panoramic cameras and military reconnaissance
film stock. David Parker’s work is housed in many important corporate
art collections such as Citibank, N.M.Rothschild & Sons, Goldman Sachs.
NY, The Syz Collection Geneva, Lombard Odier & Cie, Zurich, Coutts Bank,
AIG Private Bank and also in many important private collections. David Parker
has held exhibitions in the United States, London and Zurich.
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